MOLJOKS PAVILION AND COTTAGES
YEAR
LOCATION
STATUS
CATEGORY
TYPE
BUILT UP AREA
SITE AREA
PHOTOGRAPHY
2024
Saspol, Ladakh
Built
Architecture
Hospitality
410 sqm
3810 sqm
Wasim Ishaq Malik, Neel Bothara, Hajra Ahmed
Saspol, a village in Ladakh, is located along an ancient trade route, with petroglyphs scattered across the valley that tell tales of the past. Moljoks family’s ancestral house, perched on a cliff edge above a glacial stream meeting the Indus river, was recently restored for the family’s hospitality business. The restoration was carefully handled by conservation architect John Harrison. The family sought to expand the property with a restaurant and a couple of cottages to enhance its potential.
The land is narrow but well-connected, with fruit orchards to the South-East, a village to the West across the stream, and stunning views of the Indus river to the South-West. To the North-West, the property is overlooked by ancient meditation caves and a historic fortress.
The design of the Restaurant Pavilion draws inspiration from royal courts and pavilions, aiming to extend the Moljoks Heritage for leisure, while multiplying as a museum for the family’s heirloom heritage. Hidden within the fruit orchard, two identical cottages rise from the meadow, accessed by separate mulch pathways. These cottages, designed as lantern-like structures, pay homage to the ancient trade route.
With profound observation, the vernacular would reflect the potential of life and the evolution of culture in that place. Deconstructing those observations, it would reveal the pattern of potential evolutions, past, future and a whole.
The ancillary functions to the restaurant are wrapped along the main house, designed in a humble Ladakhi style. The restaurant pavilion itself, being visually close to the Ladakhi architecture, is far from that. The restaurant hosts up to 50 covers with experiences like, formal dining, cantilever deck, casual bar and bonfire. While offering a panoramic view, the layout of the pavilion is composed of four identical squares arranged about a plus-shaped nave with a clerestory above it. The modularity of the layout and the experience of the structural design are both progressive and unique within the context. The pavilion has an unusual drama of natural light combined with the rhythmic alignment of structural elements. Supporting the roof, Poplar beams and rafters are arranged diagonally, creating a strikingly unusual and cohesive structural framework, almost like a woven fabric. Timberwork inspired by the mannerisms of wabi-sabi along with a water stream flowing through the pavilion for a sensory depth, create the serene ambiance.
The tall trapezoid frame of the Poplar trunks, of the stand-alone cottages, leans inwards and integrate with the walls to stabilize them at the plinth, roof, railing and the terrace canopy levels. The private room has a uniaxial layout of a centrally placed bed and a study table facing the opening to the patio. The external Poplar stairs, as if it was a tree house, leads straight to the sun terrace above, from the privacy of the room. The terrace transforms into a private star-gazing deck in the night.
Moljoks Heritage and Pavilion stands as a beacon of preservation of the progressive nature of Ladakhi traditions that are often disregarded owing to the demands of short-sighted tourism industry.













